ÃÖ±Ù ÇÐȸȰµ¿ (2000 -2004³â)
(ÃÖ±Ù ÇмúȰµ¿ºÎÅÍ ¿ª¼øÀ¸·Î ±¸¼ºµÇ¾î ÀÖ½À´Ï´Ù.)
(2005³â ÀÌÈÄ ÇÐȸȰµ¿Àº °øÁö»çÇ× °Ô½ÃÆÇÀ» ÂüÁ¶ÇϽñ⠹ٶø´Ï´Ù.)
Á¦ 35ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ °¡À» Çмú¹ßǥȸ
ÀϽÃ: 2004³â 11¿ù 13ÀÏ (Åä)
Àå¼Ò: ÇѾç´ëÇб³ ¼¿ïÄ·ÆÛ½º Àι®°ü 207È£ ¸ÖƼ¹Ìµð¾î½Ç
µî·Ï ¹× Ä£±³: 10:30 ~ 11:00
»çȸ: À̼¼¼ø (Áß¾Ó´ë)
11:00 ~ 11:20 ÇÐȸÀå Àλ縻
¾ÆÀÏ·£µå ´ë»ç Ãà»ç
11:20 ~ 11:50 ¹ßÇ¥: ÀÌ¿µ¼® (ÇѾç´ë) Yeats and Pound: A Great Moment at The Stone Cottage
11:50 ~ 12:20 ¹ßÇ¥: ±è¿µ¹Î (µ¿±¹´ë) Wiliam Butler Yeats and Seamus Heaney
As the Double in their Fiftieth Year
12:20 ~ 12:40 Åä·Ð: ÃÖÈñ¼· (ÀüÁÖ´ë), À±ÀÏȯ (ºÎ»ê´ë)
12:40 ~ 13:40 Á¡½É
13:40 ~ 14:10 ¹ßÇ¥: ¿ìöȯ (°í·Á´ë) ?Byzantium?: Exposition of What?
14:10 ~ 14:40 ¹ßÇ¥: ¼Çý¼÷ (°Ç±¹´ë) ?Ego Dominus Tuus? Àбâ
14:40 ~ 15:00 Åä·Ð: À±±âÈ£ (ÃæºÏ´ë), ±èÁÖ¼º (´Ü±¹´ë)
15:00 ~ 15:10 ÈÞ½Ä
15:10 ~ 15:40 ¹ßÇ¥: È«¼º¼÷ (ûÁÖ´ë) W. B. Yeats as An Anglo-Irish
15:40 ~ 16:10 ¹ßÇ¥: ½Å¿øÃ¶ (»ïô´ë) °¨°¢ÀÇ Áñ°Å¿ò: ŰÀÌÃ÷, ȩŲ½º, ¿¹ÀÌÃ÷
16:10 ~ 16:20 ÈÞ½Ä
16:20 ~ 16:50 ¹ßÇ¥: Á¶¹Ì³ª (Åä·ÐÅä´ë) ¿¹ÀÌÃ÷ÀÇ ½Ã¿Í ¡ºµµ¸¶ º¹À½¼¡»¿¡ ³ªÅ¸³ ?Á¸ÀçÀÇ ÇÕÀÏ? ¿¬±¸
16:50 ~ 17:20 Åä·Ð: ÇÑÀϵ¿ (¿ëÀδë), ÇãÇö¼÷ (°Ç±¹´ë)
17:20 ~ 17:50 2004³â Á¤±âÃÑȸ
(°Ç±¹´ë ¼Çý¼÷ ±³¼ö¸¦ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ Â÷±â ȸÀåÀ¸·Î ¼±ÃâÇÔ)
Á¦ 34ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ ¿©¸§ Çмú¹ßǥȸ (¿µ¾î¿µ¹®ÇÐȸ¿Í °øµ¿)
ÀϽÃ: 2004³â 6¿ù 16ÀÏ (¼ö)
Àå¼Ò: Çѱ¹Á¤½Å¹®È¿ø Auditorium Seminar Room B
16:50 ~ 18:30 ¹ßÇ¥: ÀÌ¿µ¼® (ÇѾç´ë) Yeats and France
ÇãÇö¼÷ (°Ç±¹´ë) 'Out of Myth into History': Women in W. B. Yeats and Eavan Boland
ÁÂÀå: ±èö¼ö (°æºÏ´ë)
Åä·Ð: À±±âÈ£ (ÃæºÏ´ë), ÃÖÈñ¼· (ÀüÁÖ´ë)
2004³â º½ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ¤ýÇѱ¹T.S.¿¤¸®¾ùÇÐȸ¤ýÇѱ¹Çö´ë¿µ¹Ì½ÃÇÐȸ °øµ¿Çмú´ëȸ
ÀϽÃ: 2004³â 5¿ù 28ÀÏ(±Ý)-29ÀÏ(Åä)
Àå¼Ò: °æºÏ´ëÇб³ ¿ì´ç±³À°°ü 101È£
I. 5¿ù 28ÀÏ (±Ý)
13:20 - 13:50 µî·Ï
13:50 - 14:00 ȸÀå´Ü Àλç
* Á¦ 1 ºÎ Çмú¹ßÇ¥
»çȸ: ±èö¼ö(°æºÏ´ë)
14:00 - 14:50 ¹ßÇ¥: ¹ÚÀç¿(°æºÏ´ë) - µô¶õ Å丶½º¿Í ¸ð¼ºÀû À°Ã¼
ÁÂÀå: À念±Ô(´ë±¸´ë)
Åä·Ð: ÀÌÈ«ÇÊ(Àü³²´ë), À±Èñ¼ö(ºÎ°æ´ë)
14:50 - 15:40 ¹ßÇ¥: ±èº´¿Á(ÀÎÇÏ´ë ¸í¿¹±³¼ö) - ¡¸°Ô·ÐƼ¿Â¡¹ÀÇ ÇÏÀ̵¥°ÅÀû Àбâ
ÁÂÀå: À±ÁØ(¹èÀç´ë)
Åä·Ð: ±è±¸½½(Çù¼º´ë), ÀÌÀ±¼·(¾È¾ç´ë)
15:40 - 16:00 ÈÞ½Ä
16:00 - 16:50 ¹ßÇ¥: ±ÇÀǹ«(°è¸í´ë) - W. B. YeatsÀÇ ¼½½´¾ó¸®Æ¼ÀÇ Á¤Ä¡-"ºÎȰÀý 1916³â"À» Áß½ÉÀ¸·Î
ÁÂÀå: ÃÖÈñ¼·(ÀüÁÖ´ë)
Åä·Ð: ¼Çý¼÷(°Ç±¹´ë), È«¼º¼÷(ûÁÖ´ë)
17:00 - 17:30 Ưº°°¿¬
ÀÌâ¹è(µ¿±¹´ë ¸í¿¹±³¼ö)
¿¤¸®¾ù ½ÃÀÇ ³Í¼¾½º½ÃÀû ¸Æ¶ô
17:40 - 19:00 Àú³á½Ä»ç
19:00 - 21:00 »êÃ¥À» °âÇÑ <µ¿È»ç ÅëÀÏ¿°¿ø ¾à»ç¿©·¡»ó> °ü¶÷
* Á¦ 2 ºÎ ½Ã³¶¼Ûȸ (21:00 - 22:00)
»çȸ: ±è¿µ¹Î(µ¿±¹´ë)
Àå¼Ò: ÆÈ°ø»ê ¾ß¿Ü°ø¿ø
¹ü´ë¼ø(Àü³²´ë ¸í¿¹±³¼ö): Auden, from "Spain 1937"
±èÀçÈ(¼º°øÈ¸´ë ¸í¿¹±³¼ö): Eliot, "The Burnt Dancer"
¼Çý¼÷(°Ç±¹´ë): Yeats, "Running to Paradise"
³ëÀú¿ë(¿°³²´ë): Eliot, from "The Love Song of J. Alfred Prufrock"
ÇãÇö¼÷(°Ç±¹´ë): Dickinson, "Because I could not stop for Death"
¾ÈÁßÀº(¾Èµ¿´ë): Eliot, "Sweeney Among the Nightingales"
È«¼º¼÷(ûÁÖ´ë): Heaney, "Personal Helicon"
°íâ¼ö(½ÃÀÎ, ¹ø¿ª°¡): Eliot, "East Coker I"
±èö¼ö(°æºÏ´ë): Yeats, "Beautiful Lofty Things"
À̱¤¿î(´ë±¸°¡Å縯´ë): Whitman, from "When Lilacs Last in the Door-yard Bloomed"
±è¿µ¹Î(µ¿±¹´ë): Yeats, "Down By the Salley Gardens"
II. 5¿ù 29ÀÏ (Åä)
* Á¦ 3 ºÎ Çмú¹ßÇ¥
»çȸ: ³ëÀú¿ë(¿°³²´ë)
09:00 - 09:50 ¹ßÇ¥: À±ÀÏȯ(ºÎ»ê´ë) - ¿¹ÀÌÃ÷¿Í Á¸Àç·ÐÀû ¸ð¼øÀ¸·Î¼ÀÇ ¿©¼º
ÁÂÀå: ÇãÇö¼÷(°Ç±¹´ë)
Åä·Ð: Á¶µ¿¿(Á¶¼±´ë), ±èÁÖ¼º(´Ü±¹´ë)
09:50 - 10:40 ¹ßÇ¥: ÀÌÇѹ¬(¸íÁö´ë) - The Rhetoric of the Bible and Poetry of Eliot
ÁÂÀå: ÃÖ¿µ½Â(µ¿¾Æ´ë)
Åä·Ð: °¿Á¼±(µ¿¼´ë), ±è°æÃ¶(°í½Å´ë)
10:40 - 11:00 ÈÞ½Ä
11:00 - 11:50 ¹ßÇ¥: °½Å¿í(ÀüºÏ´ë) - ¾ÆÇÁ¸®Ä«¿Í ½ÃÀÎÀÇ Á¤Ã¼¼º: ÈÞÁîÀÇ "ÀÌÁßÀǽÄ" ³Ñ¾î¼±â
ÁÂÀå: À±±âÈ£(ÃæºÏ´ë)
Åä·Ð: À̱¤¿î(´ë±¸°¡Å縯´ë), ±èÀº¼º(°í·Á´ë)
2003³âµµ °¡À» Çмú¹ßǥȸ ¹× Á¤±âÃÑȸ ÇÁ·Î±×·¥
ÀϽÃ: 2003³â 11¿ù 8ÀÏ (Åä)
Àå¼Ò: °Ç±¹´ëÇб³ ¼¿ïÄ·ÆÛ½º »õõ³â°ü 501È£
µî·Ï: 13:00 ~
I. Á¦ 1 ºÎ: ¾ÆÀÏ·£µå À½¾Ç
»çȸ: ÇÑÀϵ¿(¿ëÀδë)
¹ßÇ¥ ¹× Åä·Ð
13:00 ~ 13:30 ±è°æÁø: ¾ÆÀÏ·£µå ´ëÁßÀ½¾Ç
13:30 ~ 14:00 ¹ÚÀÏ¿ì: ¾ÆÀÏ·£µå ÀüÅëÀ½¾Ç
14:00 ~ 14:30 ÇÕµ¿Åä·Ð: À±Á¤¹¬(Àü³²´ë), ÇãÇö¼÷(°Ç±¹´ë),
ÃÖÈñ¼·(ÀüÁÖ´ë)
14:30 ~ 14:40 ÈÞ½Ä
II. Á¦ 2 ºÎ: Çмú¹ßǥȸ
»çȸ: ÇãÇö¼÷(°Ç±¹´ë)
¹ßÇ¥ ¹× Åä·Ð
14:40 ~ 15:10 ¹ßÇ¥: ÇÑÇм±(°æ³²´ë):¡°¿¹ÀÌÃ÷ÀÇ ¿©¼ºÀι°°ú
Æä¹Ì´ÏÁò¡±
15:10 ~ 15:30 Åä·Ð: ¼Çý¼÷(°Ç±¹´ë), ±¸ÀÚ±¤(°í·Á´ë)
15:30 ~ 16:00 ¹ßÇ¥: ±è¿µ¹Î(µ¿±¹´ë): ¡°Yeats and Irish Poetry¡±
16:00 ~ 16:20 Åä·Ð: È«¼º¼÷(ûÁÖ´ë), ±èÁÖ¼º(´Ü±¹´ë)
16:20 ~ 16:30 ¹ßÇ¥: ±èö¼ö(°æºÏ´ë): ¡°¿¹ÀÌÃ÷ ¹ø¿ªÀÇ Á¦ ¹®Á¦¡±
16:30 ~ 16:40 Åä·Ð: À̼¼¼ø(Áß¾Ó´ë), À±±âÈ£(ÃæºÏ´ë)
16:40 ~ 16:50 ÈÞ½Ä
16:50 ~ 17:20 2003³âµµ Á¤±âÃÑȸ
2003³âµµ ¿¹ÀÌÃ÷ÇÐȸ, ¿¤¸®¾ùÇÐȸ, Çö´ë¿µ¹Ì½ÃÇÐȸ °øµ¿ º½ Çмú´ëȸ
ÀϽÃ: 2003³â 5¿ù 23-24ÀÏ(±Ý-Åä) 10:00 - 18:00 ½Ã
Àå¼Ò: ÃæÁÖ ¼ö¾Èº¸ »ó·ÏÈ£ÅÚ
I. 5¿ù 23ÀÏ (±Ý)
* Á¦ 1 ºÎ
»çȸ: À̼¼¼ø(Áß¾Ó´ë)
14:00 - 14:30 µî·Ï
14:00 - 14:30 ȸÀå´Ü Àλç: Çö´ë¿µ¹Ì½ÃÇÐȸÀå, T.S.¿¤¸®¾ùÇÐȸÀå, ¿¹ÀÌÃ÷ÇÐȸÀå
14:50 - 15:30 ¹ßÇ¥: ½ÅÀç½Ç(ÀÎÇÏ´ë) - ÇÁ·Î½ºÆ®ÀÇ ÀÚ¿¬½Ã¿Í "Àü·«Àû ÈÄÅð"
ÁÂÀå: ±è±¤¼±(¸íÁö´ë)
Åä·Ð: ¼Çý¼÷(°Ç±¹´ë), ¾ç±Õ¿ø(´ëÁø´ë)
15:30 - 16:10 ¹ßÇ¥: ÀÌÈ«¼·(¼º±Õ°ü´ë) - ¿¤¸®¾ùÀÇ ¿ª»ç°ü°ú µ¿Àϼº ´ã·Ð
ÁÂÀå: ±èº´¿Á(ÀÎÇÏ´ë ¸í¿¹±³¼ö)
Åä·Ð: Á¤Çüö(ºÎ»ê¿Ü´ë), ºÀÁؼö(¼¿ï´ë)
16:10 - 16:30 ÈÞ½Ä
16:30 - 17:10 ¹ßÇ¥: ±èÁÖ¼º(¿ï»ê´ë) - ºÎȰÀý ºÀ±â¿Í ¿¹ÀÌÃ÷ÀÇ ³¶¸¸Àû ¹ÎÁ·ÁÖÀÇ
ÁÂÀå: À±±âÈ£(ÃæºÏ´ë)
Åä·Ð: È«¼º¼÷(ûÁÖ´ë), ±èÀº¼º(°í·Á´ë)
17:10 - 17:50 ¹ßÇ¥: ±è½ÅÇ¥(µ¿±¹´ë) - ½ÅºñÁÖÀÇ¿Í ¿¤¸®¾ùÀÇ ºñÆò¹®
ÁÂÀå: Ȳ¼ÒºÎ(°æ»ó´ë)
Åä·Ð: ±è¸í¿Á(Çѱ¹¿Ü´ë), ³ëÀú¿ë(¿µ³²´ë)
17:50 - 18:00 °øÁö»çÇ× Àü´Þ
18:00 - 19:30 ¼®½Ä(ÇѽĴç)
* Á¦ 2 ºÎ
½Ã³¶¼Ûȸ (19:00 - 20:30 ½Ã)
±è¾ç¼ø(°í·Á´ë): Hopkins, "The Wreck of the Deutschland"
±èÀçÈ(¼º°øÈ¸´ë ¸í¿¹±³¼ö): Eliot, Murder in the Cathedral: Part II, "Opening Chorus"
±èö¼ö(°æºÏ´ë): Yeats, "The Song of Wandering Aengus", "The "Gyres"
±èÄ¡±Ô(°í·Á´ë): Eliot, "Marina"
¹é¿ø±â(µ¿±¹´ë): "Hardy, "When I Set Out for Lyonnesse"
¹ü´ë¼ø(Àü³²´ë ¸í¿¹±³¼ö): Spender, "The Express"
½Å¿øÃ¶(»ïô´ë): Yeats, "The Meditation of the Old Fisherman", Dowson, "CYNARA"
À̼¼¼ø(Áß¾Ó´ë): ÀÚÀÛ½Ã, "ÈÀå"
ÀÌâ¹è(µ¿±¹´ë ¸í¿¹±³¼ö): Stevens, "Sunday Morning"
ÀÌdz¿ì(´Ü±¹´ë): Yeats, "Leda and the Swan" ¿Ü ÀÚÀÛ½Ã
Àå±Ù¿µ(°í·Á´ë): Pound, "La Donzella Beata", "The Wings"
ÃÖÈ«±Ô(Áß¾Ó´ë): ÀÚÀÛ½Ã, "By the River Cam"
II. 5¿ù 24ÀÏ (Åä)
07:00 - 08:00 Á¶½Ä(ÇѽĴç)
»çȸ: ÃÖÈñ¼·(ÀüÁÖ´ë)
08:30 - 09:10 ¹ßÇ¥: ÃÖÈ«±Ô(Áß¾Ó´ë) - Å丶½º Çϵð ½ÃÀÇ ÁÖÁ¦: "Some Blessed Hope"
ÁÂÀå: ±è¿µ¹Î(µ¿±¹´ë)
Åä·Ð: ÇãÇö¼÷(°Ç±¹´ë), ±è¾ç¼ø(°í·Á´ë)
09:10 - 09:50 ¹ßÇ¥: À¯¼®Çü(ÇѾç´ë) - Yeats ½Ã¿¡ ³ªÅ¸³ 'gyre'ÀÇ »ó¡¼º ¼Ò°í
ÁÂÀå: ¿ìöȯ(°í·Á´ë)
Á¦ 32ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ °Ü¿ï Çмú ¹ßǥȸ
(¿µ¾î¿µ¹®ÇÐȸ¿Í °øµ¿)
½Ã°£: 2003³â 1¿ù 25ÀÏ(Åä¿äÀÏ) 09:00-11:00
Àå¼Ò: ¿Â¾ç°ü±¤È£ÅÚ ´É¼öÈȦ
ÁÖÁ¦: ¿¹ÀÌÃ÷¿Í ¿©¼º
¹ßÇ¥: ¼Çý¼÷(°Ç±¹´ë): "¿¹ÀÌÃ÷¿Í ¾ÆÀÏ·£µå ¿äÁ¤"
À±Á¤¹¬(Àü³²´ë): "ij¼¸° ´Ï ÈǸ®ÇѰú ¹ÌÄ£ Á¦ÀÎ"
±èÁÖ¼º(ÃæºÏ´ë): "Yeats's _Expression of the Soul of the World in Early Fiction"
ÁÂÀå: ±èö¼ö(°æºÏ´ë)
Åä·Ð: ±èÁÖ¼º(ÃæºÏ´ë), ¾ö»ó¿ë(¿ì¼ºÁ¤º¸´ë), À¯¹è±Õ(õ¾È¿Ü´ë)
Á¦ 31ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ °¡À» Çмú ¹ßǥȸ
½Ã°£: 2002³â 12¿ù 14ÀÏ(ÀÏ¿äÀÏ) 1:00pm
Àå¼Ò: µ¿±¹´ëÇб³ Çмú¹®È°ü ¼¼¹Ì³ª 1½Ç
* 1 : 00 - 1 : 30 µî·Ï ¹× Ä£±³
* 1 : 30 - 1 : 40 °³È¸»ç : ±è¿µ¹Î(ȸÀå)
* 1 : 40 - 3 : 30 ³í¹®¹ßÇ¥
»ç ȸ: ½Å¿øÃ¶(»ïô´ë)
¹ßÇ¥ÀÚ:
ÀÌ¿µ¼®(ÇѾç´ë): "George, the Muse Wife to Yeats"
À±ÀÏȯ(°Ç±¹´ë): "ºÎÀç¿Í ¹Ýº¹: ¿¹ÀÌÃ÷ ½Ã¿¡ ³ªÅ¸³ 'Á×À½'ÀÇ ¾Ö¸Å¼º"
±èÁÖ¼º(ÃæºÏ´ë): "Yeats's _Expression of the Soul of the World in Early Fiction"
* 3 : 30 - 3 : 40 ÈÞ½Ä
* 3 : 40 - 5 : 30 ³í¹®¹ßÇ¥
»ç ȸ: ÃÖÈñ¼·(ÀüÁÖ´ë)
¹ßÇ¥ÀÚ:
¼Çý¼÷(°Ç±¹´ë): ¿¹ÀÌÃ÷ÀÇ ¡¸ÀÚ¾Æ¿Í ¿µÈ¥ÀÇ ´ëÈ¡¹¿Í °û¾ÏÀÇ ¡º½Ê¿ìµµ¡»
Àå¿øÀç(¼þ½Ç´ë): "Korean Mask Dance's Influence on Yeats's Play"
±è¿µ¹Î(µ¿±¹´ë): "µ¿¿µ»ó À̹ÌÁö, À½¾Ç°ú ¿¹ÀÌÃ÷"
* 5 : 30 - 5 : 40 ÈÞ½Ä
* 5 : 40 - 6 : 20 ÃÑȸ ¹× ÀÓ¿ø¼±Ãâ
(°æºÏ´ë ±èö¼ö ±³¼ö´ÔÀ» »õ·Î¿î Çѱ¹¿¹ÀÌÃ÷ÇÐȸ ȸÀå´ÔÀ¸·Î ¼±ÃâÇÔ)
* Àú³á½Ä»ç
Á¦ 30ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ º½ Çмú ¹ßǥȸ
ÀϽÃ: 2002³â 5¿ù 18ÀÏ (Åä) 10:00-17:00 ½Ã
Àå¼Ò: µ¿±¹´ë ±â³ä°ü (¾ÆÄ«µ¥¹Ì ¹®È¼¾ÅÍ ¼¼¹Ì³ª ½Ç 1)
Program
* Part I
* 09:30 - 10:00 am Registration
* 10:00 - 10:30 am Opening Ceremony
MC: Prof. Choi, Hiesup (Jeonju Univ.)
Opening Address: Prof. Kim, Youngmin
(President, Yeats Society of Korea, Dongguk Univ.)
Keynote Speaker: His Excellency Mr. Paul Murray (Irish Ambassador to Korea)
"Yeats and Irish Culture"
* 10:30am - 01:00 am Symposium: Yeats and Irish Culture
Moderator: Prof. Kim, Youngmin (Dongguk Univ.)
Presenters:
Prof. Kevin O'Rouke, (Kyunghee Univ.): "Religion and Ireland"
Prof. Bernard Hughes (Irish Actor): "Irish Theatre"
Prof. John Sheridan (Dongguk Univ.): "Irish Experience in America"
Mr. Tom Coyner (Irish Network Korea) "Impact of Ireland on Contemporary International Culture"
Discussants:
Prof. Huh, Hyun-Sook (Konkuk Univ.)
Prof. Rhee, Young Suck (HanyangUniv.)
Prof. Lee, Han-Mook (Myungji Univ.)
Reception: Luncheon 01:00 pm - 2:00 pm
* Part II
* 02:00 pm - 03:30 pm: Multimedia Irish Culture & Discussions
Moderator: Prof. Shin Won-Chul (Samchuk Univ.)
Presenters:
Prof. Han, Il-dong: "Interview with Irish Writers"
Prof. Lee, Sesoon: "Slide Show"
Prof. Kim, Youngmin: "CD-Rom and Video Yeats"
* 03:30pm - 05:00 Papers and Discussions
Presenters:
Prof. Yoon, Hyonyung (Dankuk Univ.): "Narrative Reading for 'Crazy Jane Talks with the Bishop': Janes Clean Victory"
Prof. Hong, Sung Sook (Chungju Univ.): "Seamus Heaney's Poetry: Escape from T. W. Adorno's Odyssean Narrative"
Discussants:
Prof. Yoon, Ilhwan (Konkuk Univ.)
Prof. Kim, Chul-soo (Kyungbuk National Univ.)
General Discussions:
Prof. Hahn, Tae-Ho (Kwandong Univ.)
Prof. Choe, Youngja (Hankuk Univ. of Foreign Studies)
Prof. Yoo, Bae-Kyun (Chunan College of Foreign Studies):
* 5:00 pm: General Meeting
* 6:00 pm: Poetry Reading: "An Evening of Irish Poetry and Beer"
Á¦ 29ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ °Ü¿ï Çмú ¹ßǥȸ
(¿µ¾î¿µ¹®ÇÐȸ¿Í °øµ¿)
ÀϽÃ: 2002³â 1¿ù 31ÀÏ (¸ñ) 15:45-17:45 ½Ã
Àå¼Ò: ¿Â¾ç°ü±¤È£ÅÚ (¹Îµé·¹ Ȧ)
¼Çý¼÷ (°Ç±¹´ë) ¿¹ÀÌÃ÷ÀÇ {ºñÀü}ÀÇ ±¸Á¶¿¡ ³ªÅ¸³ ºñÀü
±èö¼ö (°æºÏ´ë) ¿¹ÀÌÃ÷ Èıâ½ÃÀÇ ¸ð¼ø´ë¸³ ±¸µµ: [³»Àü±âÀÇ »ç»ö]ÀÇ °æ¿ì
ÀÌ¿µ¼® (ÇѾç´ë) Yeats's A Vision and "Vision" Poetry
ÇÑÅÂÈ£ (°üµ¿´ë) Yeats's Meontic Mode: Being or Transcendence, and Symbols of Wholeness
ÁÂÀå: ±è¿µ¹Î (µ¿±¹´ë)
Åä·Ð: À¯¿µÁ¾ (¼°´ë) ±è¼ø½Ä (¸íÁö´ë) ±è¹ÎÁ¤ (ÀÌ´ë)
Á¦ 28ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ °¡À» Çмú ¹ßǥȸ
ÀϽÃ: 2001³â 11¿ù 3ÀÏ (Åä) 10:30-17:30 ½Ã
Àå¼Ò: ÀÌÈ¿©ÀÚ´ëÇб³ Àι®°ü 103È£
* 10:00 - 10:30 Registration
* 10:30 - 11:00 Opening Ceremony
MC: Prof. Yoon, Ki-Ho (Chungbuk Univ.)
Opening Address: Prof. Kim, Youngmin
(President, Yeats Society of Korea, Dongguk Univ.)
* 11:00 - 12:30 Symposium: Yeats and Irish Literature
Moderator: Prof. Kim, Youngmin (Dongguk Univ.)
Presenters:
Prof. Woo, Chul-Whan (Korea Univ.):
"Yeats and Romanticism"
Prof. Huh, Hyun-Sook (Konkuk Univ.):
"Yeats and Irish Poetry"
Prof. Yoon, Ki-Ho (Chungbuk Univ.)
"Yeats and Irish Drama"
Prof. Rhee, Young Suck (Hanyang Univ.)
"Yeats and Prose"
Discussants:
Prof. Kim, Chul-Soo (Kyungbuk Univ.)
Prof. Ohm Sangyoung (Woosung Univ.)
Prof. Lee, Han-Mook (Myungji Univ.)
* 12:30 - 1:30 Reception: Lunchen
* 1:30 - 3:30 Papers and Discussions (I)
Moderator: Prof. Choi Hiesup (Jeonju Univ.)
Presenters:
Dr. Cho, Mina: "The Feminine Principle in W. B. Yeats's Poetry
and Lao Tzu's Tao-te Ching"
Prof. Kim, Youngmin (Dongguk Univ.):
"Yeats's Mask and Poetic Imagination"
Prof. Hahn, Tae-Ho (Kwandong Univ.):
"Mythical Aspects in W.S. Merwin and W. B. Yeats"
Discussants:
Dr. Yoon Ilhwan (Hanyang Univ.)
Prof. Shin, Won-Chul (Samcheok Univ.)
Prof. Jung, Ok-Hee (Kimpo Univ.)
* 3:30 - 3:50 Refreshment
* 4:00 - 5:30 Papers and Discussions (II)
Moderator: Prof. Choe, Youngja (Hankuk Univ. of Foreign Studies)
Presenters:
Prof. Yoo, Bae-Kyun (Chunan College of Foreign Studies):
"Yeats Poetics of Pragmatism"
Prof. Hong, Sungsook (Chungju Univ.)
"Ideal Glocalism in Seamus Heaney and W. B. Yeats"
Discussants:
Prof. Hahn, Tae-Ho (Kwandong Univ.)
Prof. Shin, Won-Chul (Samcheok Univ.)
* 5:30 - : General Meeting
Á¦ 27ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ º½ Çмú ¹ßǥȸ
ÀϽÃ: 2001³â 5¿ù 19ÀÏ (Åä) 9:30-17:30 ½Ã
Àå¼Ò: µ¿±¹´ëÇб³ ¹®È°ü ¼¼¹Ì³ª 1½Ç
»çȸ: ÃÖÈñ¼· (ÀüÁÖ´ë)
* 10:40 - 12:00 ³í¹® ¹ßÇ¥ I »çȸ: ½Å¿øÃ¶ (»ïô´ë)
ÀÌ¿µ¼® (ÇѾç´ë)- "Yeats the Playwright as in The Countess
Catheleen"
ÃÖ¿µÀÚ (¿Ü ´ë)- "¿¹ÀÌÃ÷ÀÇ ÃÖÈÄ½ÃÆí¿¡ ³ªÅ¸³ Á¶ÇüÀû À̹ÌÁö"
* 12:00 - 12:30 Åä·Ð: ÀÌ¿µÃ¶ (ÇѾç´ë), ¾çº´Çö (»óÁö´ë), ±è¾ç¼ø (°í·Á´ë)
* 1:30 - 16:00 ³í¹® ¹ßÇ¥ II »çȸ: ¿ìöȯ (°í·Á´ë)
±è¿µ¹Î (µ¿±¹´ë) - "Yeats¿Í Hopkins"
Á¶µ¿¿ (Á¶¼±´ë) - "W. B. Yeats's Imagination"
À±ÀÏȯ (ÇѾç´ë) - "Death and Metaphor in Yeats's Poetry"
* 16:00 - 16:30 Åä·Ð: ¼Çý¼÷ (°Ç±¹´ë), Á¶¹Ì³ª (Ãæ³²´ë), ÇÑÅÂÈ£ (°üµ¿´ë)
¾çÀç¿ë (ÀüÁÖ´ë)
* 16:30 - 17:30 Á¾ÇÕÅä·Ð »çȸ: ÀÌÇѹ¬ (¸íÁö´ë)
³í¹®¹ßÇ¥ÀÚ¿Í Åä·ÐÀÚ Àüü, ±×¸®°í Çмú¹ßǥȸ Âü¼®ÀÚ Àü¿ø
* 17:30 - 18:00 ÃÑȸ
Á¦ 1 ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ, T.S.¿¤¸®¾ùÇÐȸ, Çö´ë¿µ¹Ì½ÃÇÐȸ °øµ¿ º½ Çмú´ëȸ
ÀϽÃ: 2001³â 5¿ù 12ÀÏ (Åä) 10:00 - 18:00 ½Ã
Àå¼Ò: ¼º±Õ°ü´ëÇб³ 600Áֳ⠱â³ä°ü (÷´Ü°ÀǽÇ)
* 10:15 - 11:15 ¹ßÇ¥: ¼Çý¼÷ (°Ç±¹´ë) ¡ª"ÄÌÆ® ½ÅÈ¿¡ ³ªÅ¸³ ¿©¼º¿¬±¸: ¿¹
ÀÌÃ÷¸¦ Áß½ÉÀ¸·Î"
ÁÂÀå: ½Å¿øÃ¶ (»ïô´ë)
Åä·Ð: ÀÌ¿µ¼® (ÇѾç´ë), ÇÑÅÂÈ£ (°üµ¿´ë)
* 11:25 - 12:25 ¹ßÇ¥: À̸¸½Ä (°æ¿øÀü¹®´ë) ¡ª "°´°ü»ó°ü¹°ÀÇ ¾ç°¡¼º
(ambivalence)"
ÁÂÀå: Á¤Á¤È£ (Áß¾Ó´ë)
Åä·Ð: ¾ÈÁßÀº (¾Èµ¿´ë), ÀÌÀ±¼· (¾È¾ç´ë)
* 1:30 - 2:30 ¹ßÇ¥: ÀÌÁ¤È£ (¼¿ï´ë) ¡ª "ŸÀÚÀÇ ¿å¸ÁÀ¸·Î¼ÀÇ ¼ø±³: [´ë
¼º´ç¿¡¼ÀÇ »ìÀÎ] Àбâ"
ÁÂÀå: ±èÀçÈ (¼º°øÈ¸´ë)
Åä·Ð: ±èÁØÈ¯ (ÀÌÈ¿©´ë), ¾îµµ¼± (°í·Á´ë)
* 2:40 - 3:40 ¹ßÇ¥: ÀÌÈ«ÇÊ (Àü³²´ë) ¡ª "ÀÜÀÜÇÑ ÀúÇ×: Æú ¸ÖµÐÀÇ Ãʱâ½Ã"
ÁÂÀå: ³ëÀú¿ë (¿µ³²´ë)
Åä·Ð: ±è¾ç¼ø (°í·Á´ë), ±Ç¿µÅ¹ (¼¼¸í´ë)
* 3:50 - 4:50 ¹ßÇ¥: ¹Ú±¹Çö (°æºÏ´ë) ¡ª "½Çºñ¾Æ ÇÃ¶ó½º¿Í Å×µå ÈÞÁîÀÇ ¿À
À̵ðǪ½ºÀû °¥µî°ú ÈÇØ"
ÁÂÀå: ±è¸í¿Á (¿Ü±¹¾î´ë)
Åä·Ð: ¿ì»ó±Õ (°øÁÖ´ë), À±ÁØ (¹èÁ¦´ë)
* 5:00 - 6:00 ¹ßÇ¥: ±èö¼ö (°æºÏ´ë) ¡ª "¿¹ÀÌÃ÷: ºñ±Ø°ú ±ÇÀ§ÀÇ
¹®ÈÁ¤Ä¡·Ð"
ÁÂÀå: ÃÖÈñ¼· (ÀüÁÖ´ë)
Åä·Ð: ±è¿µ¹Î (µ¿±¹´ë), À±ÀÏȯ (ÇѾç´ë)
Á¦ 26ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ Çмú¹ßǥȸ
(Çѱ¹¿µ¾î¿µ¹®ÇÐȸ ¿¬Âùȸ Âü¿©)
Á¦ 1 Session
ÀϽÃ: 2001³â 2¿ù 2ÀÏ(±Ý)
Àå¼Ò: °æÁÖ±³À°¹®Èȸ°ü °Å¹®°íȦ
»çȸÀÚ: ¾ö»ó¿ë(¿ì¼ÛÁ¤º¸´ë)
¹ßÇ¥ÀÚ: ±Ç°æ¼ö(ÀÌÈ¿©´ë): CD Rom Ireland
ÃÖÈñ¼·(ÀüÁÖ´ë): Internet Yeats
±è¿µ¹Î(µ¿±¹´ë): Audio-Visual Yeats
Á¦ 2 Session
ÀϽÃ: 2001³â 2¿ù 3ÀÏ
Àå¼Ò: °æÁÖ±³À°¹®Èȸ°ü °¡¾ß±Ý AȦ
ÁÂÀå: ÃÖÈñ¼·(ÀüÁÖ´ë)
¹ßÇ¥ÀÚ: À±ÀÏȯ(ÇѾç´ë): Yeats's The Only Jealousy of Emer: Linguistic Dialectic
of Memory and Hope
ÇÑÅÂÈ£(°üµ¿´ë): Çö»óÇÐÀ» ÅëÇÑ Yeats ½Ã ÇØ¼®: ½ÃÀû ÀÇ¹Ì Çö»óÀÇ ½Ã·Ð
ÀÌ¿µ¼®(ÇѾç´ë): A Reading of W.B. Yeats's Autobiographies
Åä·ÐÀÚ: ±èö¼ö(°æºÏ´ë), À¯¹è±Õ(õ¾È¿Ü´ë)
Á¦ 25ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ °¡À» Çмú¹ßǥȸ ¹× ÃÑȸ
ÀϽÃ: 2000³â 10¿ù 21ÀÏ(Åä) 11:00 - 17:30
Àå¼Ò: ¿ëÀδëÇб³ º»°ü 2Ãþ ȸÀÇ½Ç 1208È£
Àüü»çȸ: ÃÖÈñ¼·(ÀüÁÖ´ë)
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¹ßÇ¥ÀÚ: À̼¼¼ø(Áß¾Ó´ë): W.B. ¿¹ÀÌÃ÷ÀÇ ±Ø½Ã [¸ÞÀÌºê ¿©¿ÕÀÇ ³ë³â]
Åä·ÐÀÚ: ¼Çý¼÷(°Ç±¹´ë), ¹Ú¿µ¼ø(°øÁÖ¹®È´ë)
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Åä·ÐÀÚ: ½ÅÇöÈ£(õ¾È´ë), °û»óÁ¾(õ¾È¿Ü±¹¾î´ë)
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Åä·ÐÀÚ: ¾çº´Çö(»óÁö´ë), ÀÌ¸í·æ(¸íÁö´ë)
¹ßÇ¥ÀÚ: ÀÌ¿µÃ¶(¼°æ´ë): W.B. ¿¹ÀÌÃ÷¿Í Derek ¿ÐÄàÀÇ ½ÃÇкñ±³
Åä·ÐÀÚ: ¾ö»ó¿ë(¿ì¼ÛÁ¤º¸´ë), ±è¾ç¼ø(°í·Á´ë)
Çö´ë ¿µ¹Ì½Ã ¿©¸§Çб³
Çѱ¹¿¹ÀÌÃ÷ÇÐȸ, Çѱ¹ T.S.¿¤¸®¾ùÇÐȸ, Çѱ¹Çö´ë¿µ¹Ì½ÃÇÐȸ°¡ °øµ¿ÁÖ°üÇÏ¿© Çö´ë¿µ¹Ì½Ã ¿©¸§Çб³¸¦ °³ÃÖ
Àå¼Ò: Áß¾Ó´ëÇб³ ´ëÇпø °Àǵ¿ 4Ãþ 8401È£.
ÀϽÃ: 2000³â 7¿ù 10ÀÏ(¿ù)-14ÀÏ(±Ý)
Çö´ë¿µ¹Ì½Ã ¿©¸§Çб³ Á¦ 1 ±â ÀÓ¿ø¸í´Ü
Çб³Àå: ÃÖÁ¾¼ö(Çѱ¹Çö´ë¿µ¹Ì½ÃÇÐȸ ȸÀå), ºÎ±³Àå: ½É¸íÈ£(Çѱ¹ T.S.¿¤¸®¾ùÇÐȸ ȸÀå), ÇÑÀϵ¿(Çѱ¹¿¹ÀÌÃ÷ÇÐȸ ȸÀå)
¿î¿µÀ§¿øÀå: ³ëÀú¿ë(Çѱ¹Çö´ë¿µ¹Ì½ÃÇÐȸ Ãѹ«), ¼·¿Ü: ¹Ú°æÀÏ(Çѱ¹T.S.¿¤¸®¾ùÇÐȸ Ãѹ«), À̼¼¼ø(Çѱ¹¿¹ÀÌÃ÷ÇÐȸ °í¹®),
±³¹«: ÃÖÈñ¼·(Çѱ¹¿¹ÀÌÃ÷ÇÐȸ Ãѹ«), À繫:À̸¸½Ä(Çѱ¹T.S.¿¤¸®¾ùÇÐȸ À繫), ÆíÁý: È«ÀºÅÃ(Çѱ¹Çö´ë¿µ¹Ì½ÃÇÐȸ À繫),
±âȹ:¾ö»ó¿ë(Çѱ¹¿¹ÀÌÃ÷ÇÐȸ À繫)
Çö´ë¿µ¹Ì½Ã ¿©¸§Çб³ ÀÏÁ¤
7¿ù 10ÀÏ (¿ù)
1:00 - 1:30 ÀÔÇнÄ
1:30 - 2:20 Çö´ë ¿µ±¹½ÃÀÇ Çü¼º°ú Àü°³: ±èÄ¡±Ô(°í·Á´ë ¸í¿¹±³¼ö)
2:30 - 3:20 Çö´ë ¹Ì±¹½ÃÀÇ Çü¼º°ú Àü°³: ÀÌâ¹è(µ¿±¹´ë ¸í¿¹±³¼ö)
3:30 - 5:20 Ezra Pound: ÀüÈ«½Ç(ÃæºÏ´ë) |
7¿ù 11ÀÏ(È): W.B. Yeats
1:00 - 1:50 Ãʱâ½Ã: À̼¼¼ø(Áß¾Ó´ë)
2:00 - 2:50 Áß±â½Ã: ÇãÇö¼÷(°Ç±¹´ë)
3:00 - 3:50 Èıâ½Ã: ÀÌ¿µ¼®(ÇѾç´ë)
4:00 - 4:50 µå¶ó¸¶: ±Ç°æ¼ö(ÀÌÈ¿©´ë) |
7¿ù 12ÀÏ(¼ö) T.S. Eliot
1:00 - 1:50 ½Ã(I): ÀÌ¸í¼·(¼º±Õ°ü´ë)
2:00 - 2:50 ½Ã(II): ³ëÀú¿ë(¿µ³²´ë)
3:00 - 3:50 ºñÆò: Á¤Á¤È£(Áß¾Ó´ë)
4:00 - 4:50 ½Ã±Ø: ±èÀçÈ(¼º°øÈ¸´ë) |
7¿ù 13ÀÏ(¸ñ)
1:00 - 2:50 Robert Lowell: ½ÅÁ¤Çö(¼¿ï´ë)
3:00 - 4:50 Sylvia Plath: ¿ì»ó±Õ(°øÁÖ´ë) |
7¿ù 14ÀÏ(±Ý)
1:00 - 2:50 Ted Hughes: ±è»ó¹«(¿µ³²´ë)
3:00 - 4:50 Seamus Heaney: ½É¸íÈ£(¼¿ï´ë)
5:00 - 6:30 ¼ö·á½Ä |
|
Á¦ 24 ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ º½ Çмú¹ßǥȸ
ÀϽà : 2000³â 5¿ù 20ÀÏ(Åä) ¿ÀÈÄ 13 : 30 - 18 : 00
Àå¼Ò : °Ç±¹´ëÇб³ ¼¿ï Ä·ÆÛ½º »õ õ³â°ü 3Ãþ ¼¼¹Ì³ª½Ç 1È£
Àüü»çȸ : À¯¹è±Õ(õ¾È¿Ü´ë)
* Session I : Seamus Heaney and W. B. Yeats
»çȸ : À̼¼¼ø(Áß¾Ó´ë)
Ư° : ÀÌâ¹è(µ¿±¹´ë) : Seamus Heaney ½ÃÀÇ RealismÀÇ Àü°³
-Yeats¿Í °ü·ÃÇÏ¿©
¹ßÇ¥ÀÚ: Á¤¿µÈñ(°í·Á´ë) : Yeats¿Í Heaney ½Ã¿¡ ³ªÅ¸³ ¾ÆÀÏ·£µå ijµ¹¸¯ ¹ÎÁ·ÁÖÀÇ
Åä·ÐÀÚ: ÀÌ¿µ¼®(ÇѾç´ë), ±è¿µ¹Î(µ¿±¹´ë), ÇãÇö¼÷(°Ç±¹´ë)
*Session II : Yeatsian Drama
»çȸ : ±èö¼ö(°æºÏ´ë)
¹ßÇ¥ÀÚ: ±èÀÎÇ¥(°øÁÖ´ë) : ¾ÆÀÏ·£µå ¿¬±Ø °³°ü
¹Î¿¬½Ä(ÃæºÏ´ë) : YeatsÀÇ Cuchulain Plays¿¡ ³ªÅ¸³ µ¿¾ç»ç»ó
Åä·ÐÀÚ: ÇÑÅÂÈ£(°üµ¿´ë), ¼Çý¼÷(°Ç±¹´ë), ½ÅÇöÈ£(õ¾È´ë), ¾çº´Çö(»óÁö´ë)
Á¦ 23 ȸ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ °Ü¿ï Çмú¹ßǥȸ(Çѱ¹¿µ¾î¿µ¹®ÇÐȸ¿Í °øµ¿)
Àå ¼Ò: Àü³² ȼø ±ÝÈ£ ¸®Á¶Æ®
ÀÏ ½Ã: 2000³â 1¿ù 26ÀÏ(¼ö)
* ¿¹ÀÌÃ÷ I (¸ñ·ÃȦ, 13 : 30 - 15 : 30)
¹ßÇ¥ÀÚ: ÇÑÅÂÈ£(°üµ¿´ë) ¿¹ÀÌÃ÷ÀÇ µ¿¾çÇÐÀû Á¢±Ù
¼Çý¼÷(°Ç±¹´ë) ºí·¹ÀÌÅ©, ¿¹ÀÌÃ÷, ³ëÀÚÀÇ ÀÛǰ¿¡ ³ªÅ¸³ Æä¹Ì´ÏÁò
¾çº´Çö(»óÁö´ë) ¿¹ÀÌÃ÷¿Í ¿¤¸®¾ùÀÇ ¹®ÇÐÀû »ó»ó°ú Á¾±³Àû »ó¡:
"The Magi"¸¦ Áß½ÉÀ¸·Î
Á Àå: À±Á¾Çõ(È«ÀÍ´ë)
Åä ·Ð: ±èö¼ö(°æºÏ´ë), ±è¿µ¹Î(µ¿±¹´ë), ÇãÇö¼÷(°Ç±¹´ë)
* ¿¹ÀÌÃ÷ II (¸ñ·ÃȦ, 16 : 40 - 18 : 40)
¹ßÇ¥ÀÚ: ÀÌ¿µ¼®(ÇѾç´ë) ¿¹ÀÌÃ÷ ½Ã¿Í Paul MuldoonÀÇ ½Ã ºñ±³
±è¿µ¹Î(µ¿±¹´ë) ¿¹ÀÌÃ÷ÀÇ »ç¶û°ú ¿å¸ÁÀÇ ½ÃÇÐ
ÇãÇö¼÷(°Ç±¹´ë) ¿¹ÀÌÃ÷ÀÇ ½Ã¿Í Çϵð ½ÃÀÇ ºñ±³
Á Àå: ±è ö¼ö(°æºÏ´ë)
Åä·ÐÀÚ: ÇÑÅÂÈ£(°üµ¿´ë), ¼Çý¼÷(°Ç±¹´ë), ¾çº´Çö(»óÁö´ë)
¢Ñ 1999-1991³âµµ Çѱ¹¿¹ÀÌÃ÷ÇÐȸ Ȱµ¿º¸±â
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